Movie Analysis Million Dollar Baby - 1273 Words

Movie Analysis: Million Dollar Baby Million Dollar Baby is a movie produced by Clint Eastwood and stars Eastwood, Hilary Swank and Morgan Freeman in lead roles. In this movie we see, Maggie Fitzgerald portrayed by Hilary Swank is a boxer in the lightweight category who breaks her neck during an unfair fight. She ends up being in the hospital with a severed spinal cord leading to quadriplegic state and kept alive on mechanical ventilation. Her coach Frankie, played by Clint Eastwood goes through the different phases of grief. While laying in hospital bed, she develops skin ulcers due to not being able to change positions. Then she is moved to a rehabilitation center where she is in her bed or her wheelchair. Due to complications, her leg gets amputated, which is a shock to her as well as Frankie. After her amputation, she says she can t be like this referring to her quadriplegic state and letting go of her dream to become a boxer. To end her plight, Maggie bites her own tongue to end her life, but she is saved i n time by healthcare providers. Maggie explains her feeling to Frankie that she wants to die and needs his help. Frankie is in a dilemma-should he help her die or not because he wants to keep her alive and he knows it s a sin if he helps her commit suicide. He understands that she is suffering and even keeping her alive is killing her. Ultimately, Frankie goes to Maggie s hospital room, take her off mechanical ventilation and injects her withShow MoreRelatedNormative Ethics And Ethical Ethics Essay1434 Words   |  6 PagesNormative ethics is defined as the study of ethical action, or in other words, the analysis of how one should act when faced with a dilemma, morally speaking. It evaluates the standards with regard the rightness and wrongness of an act. Descriptive ethics investigates moral beliefs while normative ethics evaluates actions. 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In popular culture, Ancient Greece and Rome are portrayed substantially in books and movies; however, not many people are aware of how they also shape our thoughts, ideals, and motivations. Through an analysis of classical elements often portrayed in popular media, this essay attempts to illustrate how the representation of classical Greece and Rome in books and movies influence our lives and emphasize the need to stay informed as these influences canRead MoreAncient Greece And Rome Vs. Rome1179 Words   |  5 Pagesfoundation of humanities in various fields. In popular culture, Ancient Greece and Rome are portrayed substantially in books and movies; however, not many people are aware of how they also shape our thoughts, ideals, and motivations. 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The primary goal of Netflix was to provide its large and growing subscriber base with a premier, filmed-entertainment service. By the end of 2004, Netflix had 2.6 million subscribers and although it experienced losses in the first few years of operations, it had a 2004 net income of $21 million. For these and other reasons, Netflix was named one of the most successful dot-com ventures to date. Issue Although the Netflix model proved valuable to its customers and the companyRead MoreEssay about Amazon.Com and Mattel - a Strategic Perspective1382 Words   |  6 Pageshave also formed the following strategic partnerships: 1) with AOL (to become the exclusive book retailer for the public website). 2) Borders (another book retailer with an online presence, to manage their web operations) and 3) with record labels, movie studios, and publishers to provide consumers the ability to download music, movies and books to electronic devices and Amazon’s Kindle. They also expanded their product offerings to include toys and electronics to add to their competitive advantageRead MoreAn Analysis of P.S. I Love You Essay3118 Words   |  13 PagesRunning Head: P.S. I LOVE YOU 1 An Analysis of P.S. I Love You Tammy McDaniel ENG 225 Jonathan Beller August 15, 2011 P.S. I LOVE YOU 2 An Analysis of P.S. I Love You The 2007 film, P.S. I Love You, is a film about learning to let go and move on with your life after the death of a spouse. The Film stars Hilary Swank, Million Dollar Baby and Gerard Butler, 300. It also stars Lisa Kudrow as Denise, Gina Gershon as Sharon, JamesRead MoreToys R Us Essay example3477 Words   |  14 Pagesunderstand the company, the analysis is divided into multiple focus points: industry analysis, firm strategy analysis and firm financial analysis. The analysis concludes with rating that we give the companys stock as well as our strategic recommendations for the company to increase its overall preformance. 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Money Can Buy Happiness Free Essays

Can money buy you happiness? It is a classical debate, sparked by the left-wing communists and religious leaders who suggest that a person can live a full life without the pursuit of money, and instead one must look to a more spiritual existence above the material desires. It is perhaps conceivable in a century gone by where people grew all their food and believed in witches, that a human could forge a fulfilling existence without the need of money to satisfy our desires. However in today’s society money can not only buy happiness, but is a major factor for happiness. We will write a custom essay sample on Money Can Buy Happiness or any similar topic only for you Order Now Findings by the Institute of Economic Affairs show that happiness levels correlate with the amount of wealth a person accumulates. And, in contrast to popular belief, it does not level off when the assets reach a certain threshold. Money enables us to buy goods and services that we want. When we satisfy these wants we feel fulfilled, happy and pleased because we as humans love getting what we want. Money can give us experiences and opportunities that we would otherwise never be able to have. It can open doors to elite schooling, worldwide trips and making a difference in the world via charity. Money allows us to live a carefree, happy life because we don’t have financial strain. Money makes the world go round because it buys happiness, that’s why we spend hours a day slaving away to earn it. It is the key that unlocks the door to happiness. Humans have material needs and money provides the ability to satisfy these tangible needs and wants. Satisfying the want for a new dress or the need for medicine brings on the psychological state of happiness because we have satisfied those desires. The dress you bought from that exclusive store helps you to be confident and happy and the medicine helps cure a loved one. Have you ever felt left out because you see something you want, but can’t afford it? Perhaps all of your friends have the latest iPhone and you’re stuck with your parents old embarrassing Nokia brick from 2001 because you can’t afford an iPhone. Money can buy that iPhone and can help you feel included consequently bringing on joy and happiness. Ever gone without the basic necessities, electricity, clothing or water? Money buys them too. It helps improve your standard of living. From luxury items to everyday basics money permits us to experience happiness through consumerism and the act of satisfying our needs and wants. It is the experiences and opportunities that come with money that make you happy. Money pays for the trip that lets you experience a new culture, a new cuisine or helps establish lifelong friendships. It is sometimes the memories in life that you find more happiness in than material goods. The happy memories that money buys. Perhaps you find happiness in charity work. Why devote a few hours of your time when you can enrich someone with the power of money? They then have the opportunity to rebuild their lives from the money you give them and increase their living standards and happiness. Making a donation to charity not only helps others, it can make the giver mentally tougher, physically stronger and more popular, researchers from Harvard University have found out. Elite schooling and university offer endless opportunities for an individual to become an educated, well rounded and valued member of the community. It opens doors to exclusive jobs and bigger bank accounts. Success brings satisfaction and contributes to your overall happiness as life’s doors are always open to you. You are not closed off from potential opportunities that may arise. As we all know elite schooling and university doesn’t come for free, money pays for the education and opportunities that come with it. Without travel, charity and education life would be boring, bland and unfulfilling, money gives us those experiences and prospects that we all look forward to. Money offers a carefree lifestyle. With big banks accounts you don’t have to worry about paying rent, mortgages, school fees, health care and life’s other expenses. For someone who does not have a moderate amount of money these are stressful issues they have to deal every time they go to their letterbox. Stress can affect both your body and your mind, people can become exhausted, sick and unable to focus. It is the complete reverse of happiness. For someone who is better off financially bills occupy much less of their time and thus stress is eliminated from their lives. Home life can be miserable and tense when money is scarce. Couples bicker on average 2,455 times a year and of that number issues of money equate to 315 arguments. Money buys security and an un-troubled existence, money relieves financial stress and thus helps increase happiness. If someone was to offer you a million dollars, no strings attached, would you accept it? Chances are you would, and you would be happy about it because money can buy happiness. In life we have the option to live how we want, no one forces us to live a consumerist lifestyle. We choose to. You know there must be a connection to money and happiness. If there weren’t, no one would work for that lucrative promotion, perhaps no one work at all. Why would we spend all our lives pursuing it? For those living in third world countries that may be happy, it is unfortunately because it’s a case of they can’t miss what they’ve never had. Our society has made money a factor of happiness and I don’t hear anyone complaining. If money can’t buy you happiness then you are not spending it right. How to cite Money Can Buy Happiness, Essay examples

We caint say no Essay Example For Students

We caint say no Essay Can big, foreign, 19th-century novels be profitably turned into big, domestic, American musicals? The question asked itself this season, as a virtual wedge of Great Books musicals simultaneously materialized, one more unlikely than the next. Captains Courageous, an all-male, all-seafaring adventure, hoisted sails at Washington, D.C.s Fords Theatre; Wuthering Heights was set to song at the Olney Theatre of Maryland, raising the prospect of Heathcliffe and Cathy fankicking on the Yorkshire moors; Anna Karenina danced toward its indelible heroines fate at New Yorks Circle in the Square, not far enough away from Penn Station to prevent the pundits from making rude remarks. Any one of the three, I figured, might work: after all, Drood, Les Miserables and Big River all won Tony awards in the 80sKipling, Bronte and Tolstoy should be at least as tractable as Dickens, Hugo and Twain. But why does the musical, that frayed, derelict, bald, hopelessly withering yet incurably jejune form, continu e to exert such fascination and inspire such improbable undertakings? Why these musicals? Why now? We will write a custom essay on We caint say no specifically for you for only $16.38 $13.9/page Order now My investigation into such questions began, appropriately, in the neighborhood where musicals became musicals. I spent an hour before the curtain of Anna Karenina wandering the theatre district, lighting on more redolent locales than the Circle in the Square box office. Any excursion into Broadway is a flirt with necrophilia. Time was when all the theatres were filled and you could catch Ann Miller sipping an accessorized elixir at the Hawaii Kai before she repaired to perform at the Mark Hellinger, now in the hands of the Times Square Church. I hung out at the Martin Beck, where the Saturday-night ticketholders to Guys and Dolls displayed their excitement. Here was a constituency of pocket squares and rhinestone-studded sweater dresses and children. All of the hairdos were high-maintenance, and, on one lucky young woman, I even spotted a wrist corsage, a confection I thought had disappeared with turkey tetrazzini. There was a pitch of desperation in the people hoping for no-shows an d last-minute cancellations: A couple of crazed, sweaty Loesserphiles worked the crowd, offering $400 cash-in-hand for a pair of seats. No one bit. Stuck as I was with the inevitability of Tolstoys train wreck six blocks uptown, I tried to understand my position better. The time is overdue, I told myself, for a rigorous, supremely disinterested theorist to explain why the musical continues to take up so much room in the culture so late in the game. (Among other qualifications, this theorist cannot have played Bloody Mary or Conrad Birdie in high school.) I love musicals, yet Ill concede that theyre the most bourgeois enterprise in a bourgeois enterprise. The odds of finding aesthetic merit and socko entertainment in a new American musical grow more fantastical every year, so why should a full-page ad in the Times announcing Bernadette Peters and Martin Short in a musical version of The Goodby Girl set me tapping out a two-on-the-aisle tattoo? What are we lining up for? Shouldnt we have gotten past the notion that the musical is our permanent contribution to world culture? We know we belong to the land/And the land we belong to i s grand, sings the chorus at the end of Oklahoma! A glorious, full-throated finale, but what an absurd lie for a grade-school music class. Should a lineup of Hot Box Dolls or stubborn Iowans come to represent us as a chorus of Argive elders or Trojan women represented the Athenian polis? If that is the case, then at least for posteritys sake wed better commission a new Nietzsche or Walter Benjamin to cover our butts with theory. I USUALLY BLAME Gertrude Stein and D.W. Griffith for everything thats wrong with American theatre today, but Oscar Hammerstein is responsible for Anna and Vronsky and their crazy locomotive love. Hammerstein assiduously transformed the musical, first with Kern, then with Rodgers, from a jerry-built entertainment confab into a populist, principled art form that made America sing and, not incidentally, threw off millions of dollars. Once Hammerstein killed Jud, Billy Bigelow and Lt. Cable, then anything could happen in a musical libretto. Thirty years after his death, the musical occupies a shifty nexus of art, enterprise, nationalism, nostalgia and bromide. When they workor are deemed to workmusicals are magic. When they dont, they make the biggest stinks and die the loudest deaths. .u768f70aca35a21b3638d78db1d2f942f , .u768f70aca35a21b3638d78db1d2f942f .postImageUrl , .u768f70aca35a21b3638d78db1d2f942f .centered-text-area { min-height: 80px; position: relative; } .u768f70aca35a21b3638d78db1d2f942f , .u768f70aca35a21b3638d78db1d2f942f:hover , .u768f70aca35a21b3638d78db1d2f942f:visited , .u768f70aca35a21b3638d78db1d2f942f:active { border:0!important; } .u768f70aca35a21b3638d78db1d2f942f .clearfix:after { content: ""; display: table; clear: both; } .u768f70aca35a21b3638d78db1d2f942f { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u768f70aca35a21b3638d78db1d2f942f:active , .u768f70aca35a21b3638d78db1d2f942f:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u768f70aca35a21b3638d78db1d2f942f .centered-text-area { width: 100%; position: relative ; } .u768f70aca35a21b3638d78db1d2f942f .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u768f70aca35a21b3638d78db1d2f942f .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u768f70aca35a21b3638d78db1d2f942f .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u768f70aca35a21b3638d78db1d2f942f:hover .ctaButton { background-color: #34495E!important; } .u768f70aca35a21b3638d78db1d2f942f .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u768f70aca35a21b3638d78db1d2f942f .u768f70aca35a21b3638d78db1d2f942f-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u768f70aca35a21b3638d78db1d2f942f:after { content: ""; display: block; clear: both; } READ: Royal Court Theatre EssayScouring the 19th century and Ted Turners video library for source material, the creators of the Tolstoy, Bronte and Kipling productions bravely eschewed the cannibalistic showbiz contexts that govern the majority of successful new American musicals (Dreamgirls, 42nd Street, La Cage aux Folles, Jellys Last Jam, Crazy for You, The Will Rogers Follies) in favor of adult storylines and mature themes, a high road for librettists ever since Hammerstein set Gaylord Ravenal and Magnolia Hawkes to music in 1927. They all laughed at Christopher Columbus, but adapting Tolstoys 800-page novel into a conventional two-act tuner is an eminently resistible idea. Great works of fiction, one might well conclude, do not make great musicals. Characters sing better than ideas. Rodgers and Hammerstein improved second-rate material, usually plays, and while their scores are an imperishable contribution to the culture, their model for dramatic success became formulaic in their last shows and is now outdated. Regretfully, no new model for musicalizing outsize emotions in real people has replaced their (Sondheim is his own thing), a situation which leaves lesser talents, for want of a better idea, to traduce Tolstoy and turn Kitty and Levin into Carrie and Mister Snow. I found little evidence of the great novel itself in the musical version of Wuthering Heights, an even more hapless achievement. In a misogynistic libretto, having as it did little to do with Bronte and all to do with pre-sold, iconic responses to Merle Oberon and Laurence Olivier, a story that rightfully belongs to Cathy is usurped by the male characters. Wuthering Heights expended more time and music on Edgar and Hindley than on Cathy and Isabella, who are presented as demonized mantraps. Too many films, one might further conclude, are being turned into musicals. WHICH BRINGS ME TO Captains Courageous, inspired by Kiplings novel, but adapted more from the 1937 MGM film starring Spencer Tracy and Freddie Bartholemew. After five years of development, Captains Courageous opened to negative press, and curtailed its run in Washington. The story: Privileged, snotty Harvey Ellesworth Cheyne falls off his fathers oceanliner and is picked up by Manuel, a Portuguese fisherman who works on a schooner trawling the Grand Banks. Living with the crew, Harvey learns some rude lessons about ethics and friendship and gains a soul under Manuels rustic care. In a climactic tempest, the sea takes away his friend, and he is reclaimed by his father. As a family-values narrative, this is no more or less corny than the successful Secret Garden, but its a lot more coherent. A worthy musical should have, if not a new story, then a novel means of presenting it. Captains Courageous calls for an all-male cast, an original proposition. No women means no mermaids in dream ballets, no Ma Kettle-style cook, no Ado Annies who caint say no to sailors in port. By extension, there would be no spangles, no soprano sounds, no love ballads, no torch songs, no couples dancing and no conventional romancein other words, precious little to fall back on from the musical warehouse. A butch show about dads, lads and fishing? Heresy. I myself wasnt thrilled at the thought of watching 20 men chop bait, hornpipe, and sing ersatz chanteys on a boat, but Captains Courageous turned out to be one of the most accomplished, satisfying new musicals Ive seen in the past 10 years. It has an abundance of what so few others (also-rans and monster hits alike) have: stylistic integrity and genuine emotion. In addition to a beautiful score by Frederick Freyer and a terrific cast, Captains Courageous also possesses something that Oscar Hammerstein bequeathed to the musical, the thing that most new librettos lack, the thing that makes a decent revival of Gypsy or Guys and Dolls (and theyre not perfect, despite the New York Timess opinion to the contrary) so welcomea sense of community. Director Graciela Daniele brilliantly turned the ostensible restrictions of an all-male cast and a story that never left the schooner into virtues, dramatizing a community of men going about their work, wrestling with an elemental force larger than they and, after much tribulation, drawing young Harvey into their chorus. Singing was as natural to these men as drawing their nets. An unforced, substantive realism suffused the proceedings. .u348c96932d88ded4e91638a93bcb4fbe , .u348c96932d88ded4e91638a93bcb4fbe .postImageUrl , .u348c96932d88ded4e91638a93bcb4fbe .centered-text-area { min-height: 80px; position: relative; } .u348c96932d88ded4e91638a93bcb4fbe , .u348c96932d88ded4e91638a93bcb4fbe:hover , .u348c96932d88ded4e91638a93bcb4fbe:visited , .u348c96932d88ded4e91638a93bcb4fbe:active { border:0!important; } .u348c96932d88ded4e91638a93bcb4fbe .clearfix:after { content: ""; display: table; clear: both; } .u348c96932d88ded4e91638a93bcb4fbe { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u348c96932d88ded4e91638a93bcb4fbe:active , .u348c96932d88ded4e91638a93bcb4fbe:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u348c96932d88ded4e91638a93bcb4fbe .centered-text-area { width: 100%; position: relative ; } .u348c96932d88ded4e91638a93bcb4fbe .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u348c96932d88ded4e91638a93bcb4fbe .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u348c96932d88ded4e91638a93bcb4fbe .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u348c96932d88ded4e91638a93bcb4fbe:hover .ctaButton { background-color: #34495E!important; } .u348c96932d88ded4e91638a93bcb4fbe .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u348c96932d88ded4e91638a93bcb4fbe .u348c96932d88ded4e91638a93bcb4fbe-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u348c96932d88ded4e91638a93bcb4fbe:after { content: ""; display: block; clear: both; } READ: The Addams Family Musical EssayHAMMERSTEIN OFTEN chose communities in transition for his settings, e.g., farmers versus cowmen in Oklahoma!, the barbaric East versus the enlightened West in The King and I. Surrounding the central relationship of Manuel and Harvey (played by John Dossett and 13-year-old Kel ONeill) in Captains Courageous is a race between the schooner and the steamship. Industrialization will soon render obsolete the labor-intensive ways of the dory fishermen. The curtain rings down on a way of life, a piece of history, and I was sorry to see it go. The great musicals make the susceptible homesick for places theyve never been, whether its Runyonland, Bali H ai or Anatevka. They make us want to join their chorus. The sole lapse of judgment in Captains Courageous illustrates how artfully conceived the rest of the show is and also throws into relief the chronic no-growth predicament of the American musical. Halfway through Act 2, in a duet called Regular Fellas, Harvey shows Manuel how to behave like a swell when they reach port in Gloucester. A demented 12-year-old and a Portuguese bear selling a full-front cakewalk, comic business with buckets and caneswell, it is quite a display of retrograde minstrelsy. So taste-free is this bid for affection, I thought the show was channeling Legs Diamond. Every cheesy button is pushed: a kid gone shrill, key changes, flop-sweat, hitchkicks, guts and enterprise. In an evening endowed with originality, the audience went predictably nuts for Regular Fellas, its most hackneyed routine. For Captains Courageous to move to Broadway, conventional producing minds would require that more of these buttons be pushed. Christopher Barrecas evocative set, a fully rigged mast as virile and unadorned as the men who worked it, would probably have to have a turntable or two. Sooner or later theres be a hornpipe, a love interest for Manuel and then more dames at sea. Id like to think that Broadway could still support a show as richly gifted as Captains Courageous. Instead, yet another season is due to grind down on techno-blimps, showbiz scavenges and relentlessly manic tempos.

Men and Women Drivers Essays

Men and Women Drivers Essays Men and Women Drivers Essay Men and Women Drivers Essay The driver is the most commonly reported factor responsible to death and injury on the roads (Sabey and Taylor, 1980; Department for Transport, 2008). Most people would drive at speeds and within the legal limit allowing them to cope with the challenge of the driving task. Although drivers speed and their capability can be diminished through tiredness, drink and drugs, which may impact on their ability to negotiate road safety and sometimes result in collisions. Attitude can be a subject to change which general contain cognitive, affective and behavioural elements and driver boredom which may relate to all three. Men between the ages of 16 and 25 are much more likely to be involved in accidents, or be cited for traffic violations. There was a risk analysis study funded by The American Auto Club, at Carnegie Mellon University in 2007, in part said, men have a 77% higher risk of dying in an accident compared to women. The study, using information from both the Fatality Analysis Reporting System (FARS) and the National Household Travel Survey estimated fatalities per 100 million trips to be 14. 61 for men and 6. 53 for women. The total number of fatalities between 1999 and 2005 were 175,094 for men and 82,371 women. Very few young men are careful drivers. They do not have the skills to manage the road effectively. They have bad tempers and make very bad decisions. The insurance companies agree that young males make bad decisions and display their aggression in an open and direct way. Young people will always pay more for car insurance just because they have no record of safe driving. It is hypothesised that the driving performance of women is less aggressive than that of male’s drivers. Design The independent variable would be age/gender while the dependant variable would be aggressive behaviour. This would be experimental. Aggressive behaviour would be tested by * How the participants drive their dodging cars, * The amount of times the participant’s purposely hit their opponents * To assesses the extent to which one engages in aggressive behaviour when driving. The aggressive behaviour and expression were to be observed The first subscale assesses verbal aggression expression were swearing, or yelling at another driver, physical expression of aggression and aggressive use of the vehicle to express anger to speed up to frustrate another driver. Participant A total of 100 participants 50 females and 50 males aged between 13-16years would be selected from the local high schools ,this would be calculated due to teenagers having no boundaries’ or fear, teenagers are the hardest to control. Although there are rules for the dodging cars young males would endeavour to find a loop hole to break the rules whereas young females are more inclined to obey the rule given. People would be recruited through the local schools. Procedure Advertisements would be placed within the high school newsletter with permission notes, once the permission notes have been returned, the selection criteria would commence to ensure the participants have no prior injuries, and are of age. Two sets of groups would be selected of 25 female and 25 males, to conduct the experiment the teenagers would be given a dodging car each and given a time limit of 1 hour per group during this time the experimenter will observe the display of aggression by each driver To be evaluated accordingly by age and gender on the aggression displayed by a scale.

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Prison Culture Essay Example | Topics and Well Written Essays - 3000 words

Prison Culture - Essay Example Recommendations aimed at removing these distresses so that the inmates could become a healthy part of the free society. Key words: Prison culture, inmate subculture, free world, case studies. Introduction Culture as defined in Oxford Dictionary tells that it is â€Å"the ideas, customs, and social behavior of a particular people or society†. Therefore the term Prison Culture refers to the ideas, customs and behavior of the prison community. In this world, there have always been two types of humans; either they are free to do what they desire or they are inside the bars not allowed to go their well. Culture therefore also becomes divided into two types; the culture of free humans and the culture of prisoners. The paper aims at describing the later type. Prison Culture is the net combined behavior of the inmates of a prison. The paper has attempted to analyze the prison culture after studying the ways in which the prisoners react. Prison Culture can be best understood keeping in view an expanded volume of gas where there are atoms frequently wandering here and there, with no destiny, with no desire, with no ambition. They are scattered and same is the situation with prisoners. Like the atoms, they have no ideals to abide by. There is a sort of confusion prevailing everywhere. Prison Culture is without a well defined social structure. ... The norms and values of prisons are either not seen or completely different from those of the outside society. Every day inside the prison is the Day of Judgment where everyone tries to get his share not bothering for anyone else. Prison Culture is therefore a totally different culture (Clemmer, 1958). Statement Of Problem Prison hurts the human psychologically. The fact adds to the troubles of the inmates and creates problems in the inmate-to-inmate relations. Prison encourages the institution of government to practice more and more degrading environments. Overcrowding in the prisons adds to the aggressive behavior of the inmates. This is the main cause of the prison culture being poor and weak in the sense. It has been noted that the increased is the population inside the prison, the increased is the ratio of violence and abuse between prisoners and the prison staff. It means that the larger is the number of prisoners, the more aggressive is the Prison Culture. This fact in turn in creases the volume of punishment inside the prison. Public prisons are more populated than the private and the theory is proved that in private prisons, the rate of violence and punishment is quite lower than the public prison (Steiner, 2009). The growth of privatized prisons is yet another problem. This is because of the worsening of the prison culture as regards the public prison. Also private prison is more economical for the state than the public prison. The risk of violence is in turn increased by the under-staffing. Since the increase in staff strength increases the burden on government exchequer, it hesitates to do so and the prison culture is thus influenced (Taylor, 2008). Guard-prisoner relationship is always of extreme importance for the prison

Carson Stanton Case Essay Example | Topics and Well Written Essays - 1750 words

Carson Stanton Case - Essay Example ollowing agenda for Stanton to follow – Improving Innovation, promotion from within, and managing all state agencies (excluding Education) within the reduced appropriations, which was 3 % in 2015, and 1 % in 2016. The fiscal year which started on July 1, 2013 and ends on June 30, 2014 saw a budget cut of 2 % when compared to the previous year. Considering that Hope comes in the lowest quadrant of student success in comparison to other states, the governor laid out his policy and budget agenda expecting the increase and improvement in the states education statistics along with decrease in Hope’s unemployment statistics which is 8.5 % when compared to the 6.7 % of other states due to the drop in hiring. The state is ranked 21st with a rate of 9.6 % in comparison to the low of 7.0 % and the high of 13.0 %. In 1986, the DOE of Hope was created with the mission to improve, protect and restore the quality of the natural resources air, land and water. It also propagated the advancement in smart growth along with promoting economies that could sustain and communities that were healthy and viable. The duties of the divisions within the department are the following: the redevelopment of resources, reducing health hazards, environmental protection, and improvement of existing safety measures and adequacy of air, water and land resources, promotion of clean energy and improving and advancing the level of customer service. It was also a dire necessity for the state to address its responsibility for the landfill management consisting of both hazardous and solid waste. Special approvals and permits were required for the disposal of various kinds of wastes. The previous DOE secretary Sharon Brooke had raked up an issue with the governor about the location and size of two particular landfills. She was more interested in outsourcing waste, rather than managing it within. Hope has 15 Superfund sites and in the year that followed, a problem with one waste disposal site would